The Band

About YKband

 

New Fantasy Ancient Music
Golden Winner of 2019 The Global Music Awards & Album of the Year, Best Productor, Best Composer, Best Design . Nominated in 2019 Golden Indie Music Awards  Best World Music Album, the song〈The Fall of Dragons〉Nominated in 2019 Golden Indie Music Awards  Best World Music Song. Charted in TransGlobal World Music Chart. YKBand, an international performing group formed by Yerko Lorca from Barcelona and Huang Kuan Yin from Taiwan .Their genre of music focuses on fantasy and new ancient music. Their productions,characterised by a combination of Mediterranean and Asian styles, are deep-rooted in ancient music, through important archaeological findings (some of which include fragments of music written over three thousand years ago). They combine instruments such as the Tartessian lyre (dating back to 10 B.C.); the Kora, which is the traditional West African harp; the ancestral harp from China (known as the Guzheng); the Tar, one of the oldest frame drums, and singing .This unusual, original mix makes their shows a unique expression.

YERKO LORCA

Composer / Musician / Singer

Best Composer Winner in Global Music Award. From Barcelona, he grew up in an artistic family atmosphere nourished by Andean folklore. He has been trained in singing and the didgeridoo, the drums, Latin percussion and traditional West African percussion. At the end of 2008, he travelled to Bamako (Mali) to study the contemporary kora with the maestro Toumani Diabaté and the traditional kora with Mamadou Kouyaté, kora player for the Ensemble Instrumental du Mali.

In 2009, he went to Los Angeles to start out in the trade of Jaliyaa, storytelling accompanied by the kora, under the guidance of Jeliba Baba.

 

In 2012, he travelled to Greece to begin his self-taught training of the ancient Mediterranean lyre, purchasing a tortoiseshell-type lyre from ancient Greek times and compiling the most ancient melodies known to date, found at archaeological sites.

 

In 2014, he began the project to recreate the first lyre of the Iberian Peninsula along with Grupo de Recreación de la Música en la Iberia Antigua (GReMIA), becoming the first and only musician to use this instrument professionally and in chamber auditoriums with large orchestras.

To date, he has published three independently produced albums as a soloist and in collaboration with other artists. His albums include his own compositions and traditional songs from West Africa.

黃冠螢

Artist / Vocal / Composer

From Taiwan, she studied piano and singing from an early age. She have the first contact of guzheng with her mother, and then with some of the most prestigious guzheng teachers and musicians in Taiwan.

Kuan Yin now plays a different guzheng to the ones commonly known, which was left to her by her mother and has 16 metal strings.

 

In 2012, she graduated in Broadcasting Division of Radio at one of the best universities in Taiwan.

In 2015, she travelled to Barcelona to study the kora with Yerko Lorca, who used traditional methods to teach her the basic concepts forming the basis of good technique in this instrument.She often accompanies many of the popular Sephardic and ancient compositions from the Mediterranean on the tar, which significantly enhances these songs with a very unique expression and colour.

 

Furthermore, since 2010 Kuan Yin has been training as a storyteller with the prestigious Alessio di Modica in Sicily, using the “contemporary clown” system to connect and empathise with the audience. This training, together with her great charisma, have made her one of the best storytellers in Taiwan.

黃冠螢,手鼓音樂家,主持人

World Music

Featured Instruments

LYRE

The ancient Mediterranean lyre is an instrument that has become well known thanks to the few instruments found in archaeological sites, similar to the countless portrayals in Sumer, Egyptian, Greek, Roman, Celtic, Tartessian cultures, etc.

 

The Tartessian lyre in Arcaron – Under Twin Moons I – The Rise of a Myth is the recreation of one of the oldest string instruments of the Iberian Peninsula. It was created based on an engraving representing a string instrument similar to an ancient Mediterranean lyre. This engraving is on an anthropomorphic funeral stele dating back three thousand years that was found in the town of Luna (Zaragoza) in 1975. The characteristics of the engraving are very similar to the style of the Tartessian period (10 to 6 B.C.), hence the name of the Tartessian lyre or the Spanish name for its place of origin: lira de Luna (lyre of Luna).

 

Thirty-nine years after it was found, Yerko Lorca funded and directed the recreation of the fifteen-string Lune stele lyre, forming part of the Grupo de Recreación de la Música en la Iberia Antigua (GReMIA), which includes musicologists, researchers, luthiers and musicians.

 

KORA

The Kora is the harp of West Africa, or more specifically of the Mandinka ethnic group and the lineage of the Djelis, which means “those who tell stories or sing poems”. They are focussed in an area that currently extends throughout parts of Senegal, Casamasce, Gambia, Mali and Guinea.The sound of the kora resembles the celtic harp on the low notes and the spanish flamenco guitar with the improvisation of the high notes.

 

There are a few historical records that say mention the first recognised korista. This man was Jali Madi Wuleng. Some say that Jali appears in the era of emperor Sundjata Keita (1217 – 1255 AD) and others Kaabu o Gabu empire (1537 – 1867 AD).

 

The Kora in Arcaron – Under Twin Moons I – The Rise of a Myth is Modern Kora The kónsuls are replaced by wooden tuning keys, of the spanish guitar, electric guitar or bass. They say that the first koras with tuners were built by Catholic monks installed in West Africa for a French priest.

 

The priest wanted the sweet sound of the kora in songs in Mass, but for the musicians it was not easy to be continuously changing tuning between songs. So to meet this need they became pioneers in the construction of the first kora with tuning keys as well as the first chromatic kora.

 

TAR

The tar is an ancient, single-headed frame drum. It is commonly played in the Middle East and North Africa. The tar’s drumhead is struck with one hand.

The Amazing Journey

Music Awards

transglobal world music chart

Reviews

Music Reviews

  • 這個樂器就是來自神話世界,神話傳說本來就有很多真假莫分的東西,或是不能用現在理性思維去理解,但卻是群落共同的記憶,他們把這些東西打撈回來,把它變成現在當下的神話與傳說。見證了在我廣播生涯三十年,眼前從未發生過的聲音,非常的震撼。

    Music Reviewer

    馬世芳
  • 彷彿遠古傳來的跫音,知性中滿溢令人心醉的美感。他們是我見過最優雅的表演者,以從容自在的姿態撥弦吟唱,清揚的古樂音聲,有如來自另一個時空的靈鳥,帶領聽者進入神秘的時光迴廊中。

    世界音樂節策展人

    于蘇英
  • 這種古代的樂器的復活,常常很容易僵化,因為當我們在談古,常常是很國族的或是民族主義,但他在轉譯這樣古代的樂器時,又賦予一些新的生命,加上他自己的故事、虛構的小說,試著在虛構的故事間把歷史的場景帶進來,虛實之間產生的許多新的可能,而藝術性便是在這樣的虛實之間創造出來。

    流浪之歌音樂節、民族音樂資深策展人

    鍾適芳
  • 聽到西非豎琴時,我以為是個樂團,好幾把琴在一塊,實際一看才發現只有一個人,是一人大樂隊。音樂得以從西非草原到竹林小徑,其實器樂能在不同音樂類型上駕馭,就代表著它的多元及厚實度。

    傾聽音樂主持人

    咖啡貓
  • 傳說般的古老樂聲,奏著兩人共同創作的當代樂曲,回到了對音樂最澄淨的喜愛,帶著這份感動和敬拜環遊世界。

    小芬的藝饗世界主持人

    魏世芬
  • Kora與Lyre如山澗中的流水,與山石相擊又淙淙不斷,兩位樂人因為各自延展的音樂脈絡,因此樂團的音樂基因也相當複雜。《方舟》專輯結合神話與歷史傳說的虛構文本,卻也有許多對現實的關照和影射,未著歌詞的旋律與故事若即若離,體現音樂與文字的各自想像!

    新活水雜誌

    霍亮子
  • 清透的歌聲交織穿梭在琴弦的撥動和低沈迴響的鼓聲中。他們是讓音樂穿越時空的使者,若非歷經千萬次重生,怎能有辦法為我們的當下傳遞出如此美妙的樂聲。

    傳藝金曲得獎者/西塔琴演奏家

    金光亮平
  • 他們的音樂和歌聲帶領我踏上過去與未來的旅程,不只是音樂,當你聆聽他們的故事時,你會發現,過去、現在、未來全部發生在當下。來自地球遙遠兩端的兩人合而為一,讓這一切都感覺都如此自然的發生。

    伊朗藝術家

    Ali Montazami
  • 每次我放著樂曲,就是穿梭維度的漫遊。 我看見河流與大地、城鎮和森林,看見龍口的火,手中的葡萄酒瓶。我看見自己遺失的記憶。 他們是帶著旋律的風,輕輕吹拂人們身旁。 只要你的心還沒完全睡去,你都將被喚醒。

    詩人劉定騫

    詩人

    劉定騫

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